VOID & VISTA announces availability of FOLDS as intimate yet expansive boutique VI for Native Instruments’ KONTAKT platform and NKS-compatible devices
“I’m fascinated by the human voice, so anything that lets me use it in ways I’ve not heard before is a must; FOLDS can either sit amongst real voices, generating a unique and complex — yet subtle — character, or it can drive a piece up front with its own very performable and programmable settings.” - GRAMMY-, BMI-, and World Soundtrack Awards-winning film composer David Arnold (Casino Royale, Godzilla, Independence Day), 2024
LONDON, UK: cutting-edge contemporary music-orientated virtual instrument creator VOID & VISTA is proud to announce availability of FOLDS — formulated as an intimate yet expansive boutique virtual instrument for Native Instruments’ KONTAKT platform and NKS-compatible devices, based upon the human voice and its creator’s award-winning sound design engine — as of March 28…
Creatively combining expressive, characterful, and unique sampling with powerful sound design features and an inspiring UI (User Interface) to offer 32 sound sources anchored around expressive vocal articulations and textures, both real and imagined, FOLDS is ideally suited to contemporary media composers, production music writers, and sound designers alike. And thanks to the variety of emotive textures that it offers, electronic music producers and artists across multiple genres can clearly expand their toolbox, too.
That being said, then, FOLDS’ bespoke collection of carefully curated male and female vocalist articulations incorporate soft and hard arrhythmic expressions; weaving and wavering vowels; broken reversed hums; evocative vocalisations designed for bass; sound effects; and more.
For FOLDS also features an inspiring collection of effect sounds, such as reverse granulations, as well as re-synthesised, deconstructed, and synthetically processed sounds using Eurorack modular, effect pedals, and tape machine manipulations. Sampled synth waveforms taken from a collection of analogue hardware are also featured.
FOLDS’ 32 sound sources can be layered, sculpted, and effected using a deep, two-layer sound design engine that includes multimode filters; dual motion LFOs (Low Frequency Oscillators); six envelopes; customisable LOFI effect; three-stage parallel CHARACTER effects (with presets and user impulse response import); and dedicated REVERB and DELAY in the SPACE section. Such sound design power is available to all via an inspiring and intuitive UI with over 150 controls — including access to a custom MIDI (Musical Instrument Digital Interface) mapping page and dedicated send effects — designed to keep users focused on making music.
Moreover, FOLDS comes complete with a vast collection of over 300 preset snapshots organised locally for ease of use; all have pre-assigned mod wheel and/or aftertouch modulation mappings for jaw-dropping sound manipulation and adding musical expression... evidenced by award-winning film composer David Arnold’s understandably uncurbed enthusiasm!
FOLDS is initially available to purchase for 20% off with the FOLDSLAUNCH20 discount code that is valid until May 8, 2024 — rising thereafter to its regular price of £129.00 GBP — as a KONTAKT PLAYER- and NKS-compatible AAX-, AU-, and VST-formatted virtual instrument plug-in featuring 4.5 GB of samples that is compatible with all major DAWs (Digital Audio Workstations) running on macOS 11 or above — natively compatible with Apple Silicon — and Windows 10/11 directly from the dedicated product webpage here: https://www.voidandvista.com/products/folds
"LFO Store is proud to present an extraordinary soundset for UDO Super 6, a 12-voice polyphonic, binaural analog-hybrid synthesizer. This soundset brings out the gorgeous analog tone of a powerful synthesizer using its advanced digital FPGA hardware oscillators and voltage-controlled analog technology.
Here you will find different categories of patches - ARPs, bass, leads, pads, plucks, synths, etc. These sounds created by the professional sound designer, OttO K. Schwarz, known for his cooperation with Access (Virus Ti), Modal Electronics (Argon, Cobalt), Native Instruments (Kontakt), and others. Each patch is carefully crafted and you can model the sound using velocity, modulation wheel and pitchbend. These patches are ideal for electronic dance music (synthwave, trance, techno, etc.), modern cinematic music and other styles.
We wish you a wonderful journey through this world of sounds and inspiration in creating great musical compositions!"
"This video is the second in a series in which we get Gliss in the hands of artists we deeply respect. A native of the Detroit suburbs, Tristan Arp has been making explorative electronic music for more than a decade. In this video he explores Control Mode on Gliss as a strumming interface for Mutable Instruments' Rings.
"Demo of ASM HYDRASYNTH DELUXE synthesizer and NATIVE INSTRUMENTS MASCHINE+, doing quick unrhearesed improvised jams on whatever drums and sounds I can conjure up!"
"Action Woodwinds delivers the lively sound of full orchestral woodwind ensembles, adding drama and impact to any composition. From the vibrant tones of clarinets, English horns, oboes, and flutes to the deep resonance of bassoons, contrabass clarinets, and beyond, explore and tailor over 1000 true-to-life phrases for instant results."
"Improvising and live beat making with NATIVE INSTRUMENTS MASCHINE+ SAMPLER GROOVEBOX and ASM HYDRASYNTH DELUXE WAVETABLE SYNTHESIZER. All kits and patterns from the MINIMAL ESCAPE expansion pack.
"Welcome to Bad Gear, the show about the world's most hated audio tools.
There aren’t many software companies whose influence on electronic music is comparable to iconic hardware brands like Roland and Korg - Native Instruments is certainly one of them.
They defined the industry standard for sampling, established in-the-box modular synthesis and made using FM much too easy but today we are going to talk about Massive.
Putting this 2006 wavetable softsynth and primary ghost writer of the first three Skrillex EPs on the show is - quite literally - long overdue as, after the usual venture capitalist fustercluck and discontinuation of Absynth, it can only be a matter of months until this classic plugin stops working properly on contemporary computers.
Bad Gear is MASSIVE Plugin, VST, Software Instrument
"We’ve teamed up with Jacob Collier to celebrate the release of his Djesse Vol. 4 album with this one-of-a-kind audience choir instrument. Relive the magic of his recent world tour and conduct thousands of voices from across the world. Plus, there's a selection of unique body percussion samples and vocal triads layered by Jacob himself.
"All the sounds used to make every SEGA MEGADRIVE / SEGA GENESIS game ever made, and all for free! I'll show you how to download all the classic FM sounds and samples for the games console that used the legendary YAMAHA YM2612 4-operator sound chip (also used in arcade cabinets such as Outrun, Paperboy).
We'll also explore using FM8 on NATIVE INSTRUMENTS MASCHINE+ for a standalone groovebox device to rival the Sonicware LIVEN MEGA Synthesis.
"In this video I play original sounds created for the Prophet 5/10 rev 4 synthesizer. I demo patches 1 - 20 from the Synth Universe Prophet 5/10 rev 4 Sound bank: a bank of 80 patches containing a wide range of pads, strings, brass, poly synths, keys, bass, leads, tuned percussion and sines.
Each patch is demonstrated first raw in mono, as output straight from the synth. For the majority of the patches I then repeat the demo but with stereo and reverb or delay applied, so you can hear the sounds more like they would be in a musical context. Please refer to the other three videos for demos of sounds 21 - 80. The time stamps below mean you can easily access specific sounds in this video and compare MONO with STEREO.
In the making of this video no chorus, modulation or thickening effects were used (software or hardware). The only effects used were reverb (mainly the Valhalla Vintage Verb plugin) or delay (Logic native delay plugin). No EQ was used to enhance either the low end or the high end.
The Prophet 5/10 has a single mono audio output, so to create a stereo image I used old-school layering in my DAW. When I recorded each audio take, I also captured MIDI data and used this to record new tracks of the original take. Using the Vintage knob on the Prophet set at 3 means that each MIDI take has subtle differences in pitch, envelopes and filter. Panning and slight detuning of the tracks creates, to my ears, a nice rich stereo image and retains the core sound.
"Enjoying once again the most splendid factory preset sounds on the iconic vintage YAMAHA DX7 FM synthesizer, but this time on the most unlikely host, the NATIVE INSTRUMENTS MASCHINE+ MUSIC PRODUCTION GROOVEBOX."
"Bring authentic Irish flavor to any composition with Spotlight Collection: Ireland. Recorded with care, it puts 11 traditional instruments at your fingertips, including the fiddle, bodhrán drum, tin whistle, Irish harp, and more. Loaded with a selection of scales and patterns, it's got all you need to craft and layer expressive performances in an instant.
"Adam Harvey from Audio Imperia takes us through how to use the libraries in the Epic Orchestral Collection to score a scene from a short film. Spark ideas and add authentic detail to your compositions with this exclusive bundle, for a limted time only.
Save over 70% on Audio Imperia with the Epic Orchestral Collection: https://www.native-instruments.com/sp...
00:00 - Introduction 00:52 - Scoring with The Epic Orchestral Collection 03:00 - Score Breakdown 03:30 - Scene 1 10:49 - Fluid Woods in Context 11:34 - The Fluid Series 14:08 - Scene 2 16:33 - SOLO 17:11 - SOLO - Descant Horn 17:48 - SOLO - Flute 18:10 - SOLO - English Horn 18:41 - SOLO - Cello 19:05 - Jaeger - Merethe Soltvedt 19:42 - Scene 3 24:19 - Scene 4 27:13 - Outro
Audio Imperia are a team of composers and creatives with a mission to provide bespoke compositional tools that both inspire the mind, and simplify the process of making music. They work with world-class musicians, sound designers and recording studios to create their virtual instruments. Whether you are starting out for the first time, or looking for a new addition to your template, Audio Imperia’s libraries will enhance and foster your creativity – adding extra flair to your next project.
Huge shoutout to the Blender Team for creating the short film Charge, and allowing their work to be distributed under the Creative Commons license. Charge credits: https://studio.blender.org/films/char...
Native Kontrol Standard (or NKS for short) integrates third-party instruments and effects into Native’s workflow. That means streamlined browsing, consistent tagging, instant sound previews, Smart Play features, and key parameters pre-mapped by plugin creators for Komplete Kontrol and Maschine hardware. A huge number of leading developers have NKS-ready plugins, so even those with super-sized sound collections can find what they need and use it fast. Find out more: https://www.native-instruments.com/sp..."
"In celebration of the 2023 holiday season and Cherry Audio's fifth year, we've released the FREE Synthesizer Expander Module, a virtual instrument plugin based on a classic 1974 analog synthesizer.
Synthesizer Expander Module is Cherry Audio's free emulation of the classic self‑contained synthesizer module of the same name. Though it was a simple, barebones monosynth, the Synthesizer Expander Module possessed a unique tone quality, courtesy of its 12 dB/oct state-variable filter. With lowpass, bandpass, highpass, and notch modes, this flexible filter was the star of the show. We've precisely recreated it here with a filter section and Phasor effect programmed by award-winning synth designer Mark Barton (MRB).
'Sleigh Ride' by Mitchell Sigman, created with Synthesizer Expander Module"
Press release follows:
December 1, 2023: In celebration of the 2023 holiday season and Cherry Audio's fifth year, the company has released the FREE Synthesizer Expander Module, a virtual instrument plugin based on a classic 1974 analog synthesizer. The plugin is available immediately from Cherry Audio at cherryaudio.com/santa.
Synthesizer Expander Module is Cherry Audio's free emulation of the classic Oberheim® self‑contained synthesizer module of the same name. Though it was a simple, barebones monosynth, the Synthesizer Expander Module possessed a unique tone quality, courtesy of its 12 dB/oct state-variable filter. With lowpass, bandpass, highpass, and notch modes, this flexible filter was the star of the show. We've precisely recreated it with a filter section and Phasor effect programmed by award-winning synth designer Mark Barton (MRB).
And best of all, it's absolutely free! Synthesizer Expander Module joins other free virtual instruments from Cherry Audio, such as the popular Surrealistic MG-1 Plus and the highly acclaimed Voltage Modular Nucleus virtual modular platform. As it celebrates its fifth anniversary in the desktop music production space, Cherry Audio is concluding an astoundingly successful year with this holiday gift to all musicians.
Despite being a free plugin, Synthesizer Expander Module is fully featured. It will delight both vintage synth fans and today's music producers. Synthesizer Expander Module features include: Ultra-accurate dual oscillators Multi-mode filter emulation by award-winning synth designer Mark Barton (MRB) Massive unison mode 100 presets for Basses, Leads, and Percussion Unique "Phasor" effect section emulating the vintage Oberheim stomp box, also replicated by Mark Barton Studio-quality Echo effect with tempo sync Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global) Highly optimized DSP for optimal performance User-adjustable oversampling control Did we mention totally free? Synthesizer Expander Module is available at no cost exclusively from Cherry Audio and provided in AU, VST, VST3, AAX, and standalone formats for Windows (7 and above) and macOS (10.13 and above), including native support for Apple Silicon. Visit cherryaudio.com for additional product details, system requirements, and sound demos.
"Explore all of the new features in Vocal Colors expressive vocal instrument, including user sample drag-and-drop, polyphonic aftertouch support, and 180 new presets additions to help you shape and blend voices.
Chapters
00:00 - Intro
00:46 - User samples
05:25 - Polyphonic vibrato
06:42 - Next-generation NKS
06:57 - New presets"
"VOCAL COLORS creator Uli Baronowsky goes deeper into the instrument and its recording process, and illustrates how specially-recorded sample content is combined within the powerful COLORS engine to create one-of-a-kind vocal textures.
VOCAL COLORS blurs the lines between speech and synthesis with a collection of boutique vocal samples transformed in a powerful engine.
""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.
Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."
Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge
"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."
Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic
"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.
This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.
To find out more, please visit cherryaudio.com
"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?' virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."
00:00 Introduction 00:25 History of the Arp Pro Soloist 01:23 Overview of the Cherry Audio Pro Soloist 02:21 Original front-panel presets 08:35 Global controls 09:35 Touch Sensor Effects 16:00 Edit Mode 16:59 VCO 18:59 VCF 21:53 Resonator bank 23:53 Modulating the resonator bank with the mod matrix 26:45 Effects panel 34:46 Multi-layer mode 38:08 Factory Presets 42:18 Vintage Vibe expansion bank 43:44 Conclusion"
Press release follows.
"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.
PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.
Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.
Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.
Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.
In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.
Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.
A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.
Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."
